File:"Scotty's Castle" in Death Valley, California LCCN2013630987.tif

Original file (4,912 × 7,360 pixels, file size: 206.9 MB, MIME type: image/tiff)
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Summary
[edit]Description"Scotty's Castle" in Death Valley, California LCCN2013630987.tif |
English: Title: "Scotty's Castle" in Death Valley, California
Physical description: 1 photograph : digital, tiff file, color. Notes: Title, date, and keywords provided by the photographer.; An anomalous attraction in Death Valley, it is removed from most of the park in its far-northern reaches near the Nevada border. Death Valley Ranch, as this elegant home is properly known, is a window into the life and times of the Roaring 1920s and Depression '30s. It was built in the early 1920s by Chicago millionaire Albert Mussey Johnson as a vacation getaway.; Credit line: The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division.; Forms part of: Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project in the Carol M. Highsmith Archive.; Gift; The Capital Group Companies Charitable Foundation in memory of Jon B. Lovelace; 2012; (DLC/PP-2012:063). |
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Date | Taken on 19 December 2012, 11:48 (according to Exif data) | ||||||||||||||||||||||||||
Source |
Library of Congress
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Author |
creator QS:P170,Q5044454 |
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Permission (Reusing this file) |
No known restrictions on publication.
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Camera location | 37° 01′ 55.01″ N, 117° 20′ 30.96″ W ![]() | View this and other nearby images on: OpenStreetMap | ![]() |
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Licensing
[edit]Public domainPublic domainfalsefalse |
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This work is from the Carol M. Highsmith Archive collection at the Library of Congress. According to the library, there are no known copyright restrictions on the use of this work. Carol M. Highsmith has stipulated that her photographs are in the public domain. Photographs of sculpture or other works of art may be restricted by the copyright of the artist; see Commons:FOP US#Artworks and sculptures for more information. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:06, 1 September 2016 | ![]() | 4,912 × 7,360 (206.9 MB) | Fæ (talk | contribs) | LOC 2013630987, Carol M. Highsmith collection. P5664.7496 TIFF (206.9mb) |
19:05, 1 September 2016 | ![]() | 4,912 × 7,360 (206.9 MB) | Fæ (talk | contribs) | LOC 2013630987, Carol M. Highsmith collection. P5664.7496 TIFF (206.9mb) |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Image title | "Scotty's Castle" is a most anomalous attraction in Death Valley, the stretch of California desert that is best known for its blistering mud flats, arid dunes and mountainsides, and barren, below-sea-level desert depressions. Removed from most of the park in its far-northern reaches near the Nevada border, Death Valley Ranch, as this elegant home is properly known, is a window into the life and times of the Roaring 1920s and Depression '30s.
It was and is an engineer's dream home, a wealthy matron's vacation home and a man-of-mystery's hideout and getaway. Walter Scott, who became known as "Death Valley Scotty," convinced everyone that he had built the castle with money from his rich secret mines in the area. Another man, a sickly Chicago millionaire named Albert Mussey Johnson, actually built the house as a vacation getaway for himself and his wife Bessie. Scotty was a cowboy, an entertainer, and a friend of Johnson's; Johnson put up the money. The two-story, Mission Revival and Spanish Colonial Revival-style villa in the Grapevine Mountains was constructed in the early 1920s after Scott convinced Johnson to invest in his gold mine in the Death Valley area. By 1937, Johnson had acquired more than 1,500 acres (610 ha) in Grapevine Canyon. After Johnson and his wife made several trips to the region, and his health improved, construction began. It was Mrs. Johnson's idea to build something comfortable for their vacations in the area, and the villa eventually became a winter home. The Johnsons hired Martin de Dubovay as the architect, Mat Roy Thompson as the engineer and head of construction, and Charles Alexander MacNeilledge as the designer. Unknown to the Johnsons, the initial survey was incorrect, and the land they built Death Valley Ranch on was actually government land; their land was further up Grapevine Canyon. Construction halted as they resolved this mistake, but before it could resume, the stock market crashed in 1929, making it difficult for Johnson to finish construction. Having lost a considerable amount of money, the Johnsons used the Death Valley Ranch to produce income by letting rooms out. The Johnsons died without heirs and had hoped that the National Park Service would buy the property, and in 1970, the National Park Service purchased the villa for $850,000 from the Gospel Foundation, to which the Johnsons left the property. Walter Scott, who was cared for by the Gospel Foundation after Johnson's passing, died in 1954 and was buried on the hill overlooking Scotty's Castle, next to a beloved dog. |
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Camera manufacturer | NIKON CORPORATION |
Camera model | NIKON D800E |
Author | Photographer: Carol M. Highsmith |
Exposure time | 1/640 sec (0.0015625) |
F-number | f/10 |
ISO speed rating | 100 |
Date and time of data generation | 11:48, 19 December 2012 |
Lens focal length | 70 mm |
Latitude | 37° 1′ 55.01″ N |
Longitude | 117° 20′ 30.96″ W |
Altitude | 915 meters above sea level |
Width | 4,912 px |
Height | 7,360 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 34,368 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 7,360 |
Bytes per compressed strip | 216,913,920 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Ver.1.00 |
File change date and time | 21:01, 19 December 2012 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 11:48, 19 December 2012 |
APEX shutter speed | 9.321928 |
APEX aperture | 6.643856 |
APEX exposure bias | −1.3333333333333 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 8 |
Color space | Uncalibrated |
Focal plane X resolution | 204.84020996094 |
Focal plane Y resolution | 204.84020996094 |
Focal plane resolution unit | 4 |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 70 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS time (atomic clock) | 18:48 |
Satellites used for measurement | 08 |
Geodetic survey data used | WGS 84 |
GPS date | 19 December 2012 |
GPS tag version | 2.3.0.0 |
Structured data
Items portrayed in this file
depicts
2012
37°1'55.013"N, 117°20'30.959"W
image/tiff
b6e7a084154f3e8db8b261fa5420d303d5724f77
216,955,072 byte
7,360 pixel
4,912 pixel
- United States photographs taken on 2012-12-19
- Images from the Library of Congress
- Files with coordinates missing SDC location of creation
- Library of Congress-no known copyright restrictions
- PD-Highsmith
- Images uploaded by Fæ
- The Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project, Library of Congress, Prints and Photographs Division
- Jon B. Lovelace Collection of California Photographs in Carol M. Highsmith's America Project in the Carol M. Highsmith Archive
- Photographs by Carol M. Highsmith
- Taken with Nikon D800E